4,640 Royalty-Free Audio Tracks for "Process"

Shaking the dust out of a tshirt multiple times. Could also be used for a video game character landing on the ground, or for wings or flying as a flapping sound effect. Recorded on iphone. Processed with audacity to convert from m4a, with slight noise removal. 𝗟𝗜𝗖𝗘𝗡𝗦𝗘:this sound is 100% free to use for personal/commercial use, no attribution required. 𝗕𝗘𝗙𝗢𝗥𝗘 𝗬𝗢𝗨 𝗚𝗢:⬇︎ take a quick break! try my free game! ⬇︎. .

This was recorded as foley for a sound design / composition contract i took for a theatre company. We needed a train sound to signify crates of dead soldiers being shipped back from the front lines, to be processed and fed to soldiers holding encampants behind the lines. It was recorded in an arcade adjoining outbuildings of a factory converted to studio and office spaces. I excused myself from rehearsal to catch the recording shortly after learning a woman i'd been seeing for about a year was through with our relationship. I won an award in composition and sound design for the work i did for the play.

A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

A room tone attic in ostend, belgium. Construction and scaffold building across the street. Occasional car passing. The windows were closed but it’s only single layered glass. At 3:06 you can hear my feet moving (sorry about that). Recorded with tascam dr 701d en rode ntg 3 (shotgun type mic). The shotgun was positioned on top of the tascam in between the two internal mics. No processing whatsoever. Enjoy, use this in any way you seem fit, no credit needed.

Feel free to use the sound anywhere you want (even commercially). If you can, please, give us feedback. We care. Get the the remaining 146 mb of modern basslines sample pack at our website. Www. Audiowizzards. Com. Made using the amazing mpowersynth + our very own fx chain [which is going to remain our little secret]. Thank you.

This is a short fragment of one of the experiments done by the music and machine learning lab at mtg (upf). The aim is to develop an automatic violin teacher using ml techniques. Mtg is a research group specialized in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about world music and computation. Learn more at: https://www. Upf. Edu/web/mtg. Sound kindly provided by music and machine learning lab from music technology group.

20 minutes field recording of eveningsounds in my backyard in belgium, springtime in 2021. At first a few chickens wander close to the microphone, your hear doves and a lot of blackbirds singing to each other. After a few minutes the chickens prepare for the night. At about 14:00 a goose flight is passing by, in the end you hear a distant plane passing and a train. Recording in stereo with a zoom h4n pro and windshield, mildly processed afterwards.

One of a series of heavily processed sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I used s-layer, the sample-mangling plugin from twisted tools, to combine these swishy sounds with various other metallic and synthetic sounds from my own library. The results are dynamic and surprising, and might be useful for certain kinds of unusual ui sound design.

At the close of the children's hospital telethon immediately after it was announced that more than $4 million had been raised, people on the phone banks started cheering, this as the closing credits were being run on the tv screen. This is non-descript cheering, my recording in a public setting having been invited as a journalist to be there to report for broadcast. There are no copyright issues associated with this recording. This is the raw sound, including a few noices when my microphone got tapped. Edit, process to your hearts desire.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

Recorded with zoom h2 at 96 khz / 24-bit. Edited and converted to flac using audacity, otherwise unprocessed. Midway through recording i have lowered my gain setting from hi to mid to avoid clipping. Some background noise (fridge) is left in for noise removal. I prefer to get raw audio from freesound i can process myself - gives me maximum options, that's why i deliver the same. Video recording:https://youtu. Be/ezqsxnbvl4o.

Hello,. This is the sample pack that i completed for the sound design course at slam academy. The theme of this pack is sounds that could be used to make melancholy and dark sounding music, but use however you see fit. I used ableton’s operator and analog synthesizers and xfer’s serum plugin to create this sounds. All processing was used using ableton’s stock effects and serum’s stock effects. I hope you enjoy my sounds :). - milesperhour.

Lyrebird is a ground dwelling bird that lives in the australian bush and is very clever at mimicking sounds. This particular bird happens to sound like a science fiction movie! i removed much of the background noise, and lightly processed it with a phase effect. At the end i pitched certain sounds down for a more alien, dinosaur sound. The original sound was recorded on a smart phone.

Came up with this piano melody in garageband for something called victors crypt. It's a lot of effects on it and some strings in the background to make it scary. Might be suited for haunting, scary, evil, horror-stuff ;). Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Blip random: c2 note, random short blip sounds from synplant. Sampled into ableton as atonal as possible with a bit of effects, compression using psp compressor2 and psp warmer. Random seeds in synplant, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud :d.

Made a patch in vcv-rack. Kind of industrial drone thing. Searched for some suitable sounds to mix it with. I found these. Https://freesound. Org/people/puniho/sounds/145222/strange talk slow down. Wav by user puniho(remix of: slow_down. Wav by corsica_s). Https://freesound. Org/people/schafferdavid/sounds/269042/industrial laundry. Wav by user schafferdavid.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

This is a compilation of recordings from behind my daughter's house in dallas. Close to the rr track where they probably travel. But she seems to have a group of them near her who live there for at least part of the year. The 2 barks are from her late dog leo who she lost this year so i could not bear to take them out. Also i processed this audio with audacity and they started as mono. . . So i put them in stereo tracks. . . . Hope they are ok for some peoplealso you will notice that some parts are louder than others and i did not feel like normalizing volume. Aaaaooooooooo.

They've been telling us to "eat ze bug. . . " but now you can try before you buy. Here are some soft, distance crickets recorded on a warm, quiet summer night. Just like old jeb used to like it! i bumped the volume up by about 6. 3db, as i didn't want to ruin the serene quality by bring it to full normalization. Not processed or modified in any other way, but a decently clean sample. Audio specs:-. Wav uncompressed- 44. 1 khz (standard)- 16-bit.

For this jazzyloop i used. Drumbot. Compiano chordsrandom progressionminor, 4 chords, 80 bpm, oo_odm, cm, c#6, f#9had to record straight to audacity. No export function. Drumbotcountry & folksmothness made a 4 bar drum sequence and exported as wav. This site (drumbot. Com) had no "bass function". . . Quick search led me to onlinesequencer. Nethere i made a bass line to the chords in 80bpm. Here you can only export to mid. . . Once again i had to record straight to audacity. Result this loop. No processing in audacity.

This sound was created artificially. In general, it consists of four main layers. 1. The sound of noise overboard (created from white noise). 2. The sound of clanking of the inner skin synchronously with the sound of wheels (created from white noise). 3. Metallic noise. Created from the sound of bolts shaken in a metal can. 4. Actually the sound of wheels (created from ten sounds of various metal and percussion). A rather complicated equalization was applied, and filtering in several stages. Also, the sum of the sounds is processed by the convolutional reverb.

Placed a thick sweater fabric on a pillow and recorded me slapping it with an open hand. Great sweetener for punches. Cleaned recording with rx4. With a little bit of limiting, compression, and bass enhancement i'm sure this will sound great for your needs!. Equipment: zoom h5 and rodes ntg3. No processing. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Rain in the evening in a calm suburb area. Taken from a window. Drops fall on a concrete and window-sill too. Window is on a ground floor. Taken by a special app recording to wav 44khz 16 bit mono wav file on a samsung s8500 wave with a special app that can record to looseless. The phone was put directly to the window pointing the mic outside the window. This is my first try to share some sound, hope you like it. I have 2 more and better rain sounds to come. There is no other sound than the rain itself. The files hasent been post-processed.

This is the result of my big work with some samples from freesound and some samples that i made by myself. They were mixed all together and edited using lots of vst effects and software, reversed many times and mixed again, sampled in lo-fi quality and then again and again. . At first i wanted to use it by myself but then i thought: "why not share it with people? that can be useful. ". So please use it as you like, maybe you're an ambient or avantgarde music producer as me, and that can help you in your music. . Could be useful as a background. Enjoy!.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

Computer at work, analyzing robot's violation of the first law. Not getting satisfactory answers, computer decides to release robot into the wild with its a. I. Disabled. Robot becomes homeless and is reduced to begging on street corners for new diodes and capacitors. Robot has minimal processing power left and votes for trump in 2028. Robot is not registered to vote in texas and is arrested, charged, convicted and sent to prison for voter fraud. Anti-robot prisoners beat robot to death in the exercise yard. No one is held accountable.

Electronic beats made from an original sample pack designed using the drum synth on ni maschine. Processed with high-quality analogue emulation plugins and effects to give it extra punch and character. Enjoy!. Tempo 107 bpm. Beat 4 of 4. All individual samples can be found in the spiryt beats kit pack.

Alien alarm: 110 bpm c2 note, strange sounding alarm. Absynth 5 sampled into ableton, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. Crazy sounds. Check out my songs on soundcloud :d.

The user gorgoroth6669 posted an awesome recording of some wolves, somewhere in norge. Http://www. Freesound. Org/people/gorgoroth6669/sounds/76456/. I needed it mono, but the upload was stereo. So, in the process of rendering a mono version. . . I decided to tinker. There's high & low pass filtering as well as a 4 band eq applied. Seems to have significantly reduced the noise. I also forced zero crossings :]. Figured i'd post in case anyone can make use of it√. Takk gorgoroth6669!.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Samples of the vintage korg mini pops 45 drum machine. No processing applied here but a very gentle fft based noise reduction. After all, i figured background noise was part of the machine's sonic identity. No patterns here, since that would have taken forever, just the individual sounds. Some of them alone, some of them combined. Recorded mono with a zoom h2n thru the machine's "amp" output.

This was recorded inside the blue mosque in istanbul during friday prayer in may 2005. To get in to the blue mosque with recording equipment we had to get a permission from the religious authorities. We also needed a muslim to operate the equipment since the friday prayers were forbidden for non-muslims. We set up the recording equipment and let our turkish guide hit the record button once the prayer started. The sound is recorded using an m/s rig straight to dat and processed afterwards with a hp filter in protools to remove microphone rumble. Recorded by asbjørn blokkum flø, kjetil bjørgan and the anonymous guide.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 39, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 39, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 37, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ostap Kalnyi - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 37, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ostap Kalnyi - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 31, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 31, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro udovu.flac.

This is a processed soundscape originating from two seperate soundscapes; one during a winter night near a hill and one at a basketball practice. The title of the piece originates from the fact that in this piece i try to create this feeling of coming in and out of “reality”, that illusion that sometimes we are watching distantly or from another reality with yet some other moments that we are being really in the moment. The whole feel of the piece sounds to me the most part dystopian, however anyone can have different interpretations of sounds just as we all have different perception and associate various sounds to different things.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 1, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok Polianka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 1, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok Polianka.flac.

Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.

My first little attempt at making some film-like sound effects. Alot of bass in this one, tried to cut it below 30-50hz. I just want to point out to the people having a listen, that the sample that streams on the website has a small static-like noise in it. . The download version will not have this noise, i believe the compression for streaming degraded the sound a bit.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 59, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Filaret Kolessa - Temna nichka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 59, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Filaret Kolessa - Temna nichka.flac.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

Original sound captured using a zoom h5 recorder and a rode nt5 microphone. Cut and reversed in ocenaudio. Timestretching and filtering (pro-filter, talk wah) applied using reaper. It started here:http://freesound. Org/people/cabled_mess/sounds/352069/http://freesound. Org/people/cabled_mess/sounds/360734/. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Afternoon rain, a light rain or drizzle. Recorded with my desktop computer, anhp pavillion with vista and realtek audio. Standard microphone. Since the rain wasnot blowing in the door, i could hangthe mike out the door. Audacity was myplatform, with very little processing. This version was recorded with the default amplitude at o db. There is a little thunder now and then,and birds chirping outside, mostlycatbirds or mockingbirds. At one pointone of my neighbors was outside talking,the conversation is not distinguishable. This recording is just over 37 minutes. Since there was almost no wind or breeze, the rain is easy to hear. Thatis when it falls on the sidewalk.

Squealing sound that switches between the left and the right speaker channels, making an eerie, metallic, and slightly distant effect. This sound is a modification from the sound "creaking metal desk". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.