3,255 Royalty-Free Audio Tracks for "Pitch"

I created this witch laughter in adobe audition using pitch correction and reverb. I hope you find it useful.

Mono recording. I used a sinusoïde, and i put an effect to change the height (-31. 000, pitch from a to d#/eb). I put an other effect like the phaser (phase 2; dry/web 128; frequency 0. 4; phase departure 0; depth 100; return 0) and an echo (duration 1 sec, factor of diminution 0. 5).

Three high quality foley sounds of a low pitched echoing drum for suspense. For those who have played the game slender man, they just might ring a bell. These were made by using a sample of a drum and adding heavy low pass and adobe soundbooth's echo and dream sequence effect.

I accidentally made this in audacity adjusting the tempo of a chime sound effect, but maybe it has uses elsewhere. Sounds to me like a game show "wrong answer" sound effect or a magic spell that fails to cast.

Another edit of this clap sound, making it shorter, noisier, and higher pitched: https://freesound. Org/people/rhythmpeople/sounds/165210/the result is somewhere between a clap and a finger snap, suitable for electronic music. Original clap is public domain and so is this sample, feel free to use for any purpose without attribution.

This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

Made by slowing down the speed of "nature ambiance",editing the pitch, and mixing it with a recording of aair conditioner, which was also edited. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.

Washed out metal clashes carried by a beating pulse; pitched metal sounds drowned in reverb, lfo with sample and hold modulation, tense atmospheric drone. Created with mother 32 and 2hp play + happy nerding fx aid, recorded on zoomh6, no post processing.

I created a witch voice saying, "hells bells, i think i've lost my broom again"! i used adobe audition and tinkered with the pitch and added slight echo. If you like it, please leave a comment. If you don't, let me know why.

One of the "bull" sounds i used in one play in my theatre. I recorded human voice with one of our actors using shure sm81 and popkiller. Recording software: garageband. Then processed the recordings with adobe audition cs 6, by lowering the pitch, adding reverb and distortion. Can be used as agressive bull, monster, etc.

I was just messing around in audacity, doing some things with a party noise maker sound effect, i slowed it down, put some reverb & echo, messed with the pitch a little bit, and got this! it's supposed to be kinda like "trumpets in the sky" and/or war of the worlds inspired.

A sound i edited of me pouring tea. The pitch was lowered,and reverb was added, with the intent of making it sound like a deepsplash into a body of water. -----------------------------------------------------------------------this sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.

Made that "aaahhhh" drone sound and recorded it. . . Pitched down, and threw a whole bunch of effx on it. . . All effects that you get for free on http://www. Vst4free. Com/free_vst. Php?plugin=liquid_delay&id;=1217 for example.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Fx of a rainstick pass by in front of microphone, different versions, doppler, very good alternative to the overused whoosh sound we ear all the time and make me go crazy, can be processed, pitched, reverbed easily, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.

Recorded myself beatboxing at 87 beats per minute. I did three layers, then copied the whole thing, pitch shifted it and put it back in. Enjoy! use for whatever you like. This was just an experiment, so i didn't use a click track. Apologies for any timing issues.

My girlfriend brushing her teeth with an electric tooth brush. The fundamental pitch of the toothbrush motor is just near b2. The mouth shape adds the first few upper harmonics (a la throat singing). Make a pad or pull into a granular synth!. Recorded with an akg c214 into an ni audio kontrol 1.

Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_kickdrum_2_3as previous, but pitch env decay =12.

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20 & pro tools 12.

An electric kettle starting to boil - it has a high-pitched shrieking effect great for layering into sound design. I've used this in a couple horror trailer pieces. Enjoy!. Recorded with a zoom h4n.

This is a sample of a metal kitchen mixing bowl. The first note (b, not perfect b) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale b to b.

Crazy computer sounding. . Use it however you like. Created by recording my heater for my room turn on with my "zoom h1n" put into ableton added with a simpler tuned to c and played at really really high pitches randomly.

An obnoxious black crow calls as traffic passes and wind blows through the fall leaves. The leaves clatter on the pavement and a second type of bird with a higher pitch call joins the party, then another.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

Pills being taken out of a metal wrapper: a very distinct metallic sound can be heard. It is sharp and high-pitched. You can hear a pop when the pill is being taking out of it's housing. Great to create tension in a scene. Recorded with the zoom h6, rode ntg.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Made with audacity using pitch shift to lower the percussion sounds i took from fl studio and added three times with the "small room (dark)" plugin in the "reverb" effect. Feel free to use, but please use my name in your description for credit!.

Short and long bursts from a saline applicator bottle that makes a high pitched wheezing noise, a bit like a wet train whistle. Also includes the bubbling end as the bottle runs out and is empty. Recorded on tascam dr-40, cleaned up in audacity. Shout-outs welcome: production-now. Com.

A space-like sound. I imagined it as an airlock seal engaging in outer space, and the overwhelming sense of isolation through a shifting 8k tone. Believe it or not, i generated this sound not for battlestar galactica, but a courtroom scene on a play i designed the sound for.

Inspired by a strange japanese number station i heard around 2012. I generated white noise, recorded an old toy, and found some public domain static and put it all together in this extremely eerie piece. It gets even creepier if you lower the pitch.

Whitney music box, unnumbered variation. This is similar to variation 1, except that the music is played by a piano, and only 40 notes are used, instead of 48, to keep the pitches within a more listenable range. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v0.

A simple chromatic sfx i made for a title screen. Can be used for power-ups, jumps or other ideas. Normally would strictly be an 8 bit sound, but with the reverb it can pass for something from the snes era. This is part one of two. The next file is the same thing with a higher pitch.

A simple mouse click from the logitech g302. Recorded in audacity using the blue snowball, then trimmed and fine-tuned. Timbre did some remixes, so if you want some variance, there ya go. Https://freesound. Org/people/timbre/sounds/397926/(you can also pitch shift this sound but that's a little bit more effort).

This is an eerie sound made from recording my breathing with a whistle in my nose and then slowing it down and altering it quite a bit. Recorded and edited using audacity.

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

3 guitar layers double-tracked and panned, reversed, pitched up 2 semitones, filtered via cab simulation, looped, faded. Mbv inspired, short ambient guitar oriented loop. Ableton live. April 8 4pm 2023 pa southeast.

Taking a medium blade out of its sheath. One arm sword, big knife, or dagger, for foley or game effect. Same sound without the high pitch metal resonance in the pack.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

Synthesized train horn using moderately manipulated french horn ensemble library. The train sounds like it is coming toward the listener through pitch and volume effects. I removed the panning i originally made it with so you can manipulate that to your liking. This is offered with cc0, but if you can attribute, please do.

A meaty glass impact with some cracks forming afterward. Perfect sound for when the glass object breaks, or is nearly broken by some heavy metal object. Made by hitting a porcelain plate with a metal spoon, then crushing up some aluminium foil and ice chunks in my hand. The sound files were then pitch shifted and merged in audacity.

Create dinosaur sound, use markgia's sound "wah-dealio. Wav" (but have stereo). Audacityfor left channel:- cut section from 0. 709s to 0. 844s. - file new- tracks→add new→mono track (left channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 300. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db. For right channel:- tracks→add new→mono track (right channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 250. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db.

Edirol r-44 and audio-technica at835st. Stereo. A dog barks, but it seems to me that it sings to the music from a loud speaker that tells noon. It's hard to believe, but the dog began singing just after it had heard the sound and stopped when the sound stopped. The voice pitch also accompanied the melody.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

I recorded my voice, layed it out on the track and increased the pitch quite drastically. I layered this with a chirp track so as to contrast the downward rhythm with an upward one. Descriptiftypologie selon pierre schaeffer : vmasse: son "cannelés"timbre harmonique: ternegrain: lisseallure: contient un aspect "vibrato"dynamique: l'attaque est abrupteprofile mélodique: serpentine.

This is a voice line i made with audacity using pitch, distortion and base. It is being used in my game, since i saw a lack of demonic voice lines on this site. Ill be doing many more so if you need demonic voice lines, look on my profile. Thank you.