17,893 Royalty-Free Audio Tracks for "Ie"

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:41:3

Phleng Chat Thai - Fighting Harada vs Pone Kingpetch I ไทย: เพลงชาติไทย (ทางบรรเลง) ไฟล์นี้บันทึกเสียงจากการแข่งขันชกมวยชิงแชมป์โลก ระหว่าง โผน กิ่งเพชร กับ นักมวยผู้ท้าชิงชาวญี่ปุ่น ไฟติ้ง ฮาราด้า (ครั้งที่ 1) เมื่อ วันที่ 17 ตุลาคม พ.ศ. 2505

Sveriges Radios folkmusikinspelningar. Bergslagsresan 1955 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/47.231:2:9

Sveriges Radios folkmusikinspelningar. Medelpadsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M 57/64 Sv:1:6

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:17:5

Sveriges Radios folkmusikinspelningar. Dalslandsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:53:2

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:7:5

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:8:1

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:10:3

Klaviersonate Nr. 19 in g-moll, op. 49.1 - I. andante

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:13:4

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 51/15489:2:5

Klaviersonate Nr. 7 D-Dur, op. 10.3 - I. Presto

Klaviersonate Nr. 10 G-Dur, op. 14.2 - I. allegro

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:38:7

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" I. Adagio - Allegro non troppo

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:25:2

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:18:2 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 80

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

I love the way you're talking to me by Soft and Furious

Sveriges Radios folkmusikinspelningar. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer:

Gustav Holst - The planets, op. 32 - i. Mars, the bringer of war. An audio meta-data recording Image:GH Mars Attribution.ogg exists for this file.

An long escalator i recorded in atlanta. The escalator was very noisy, and produced a kind of whining electrical sound that sounded almost spiritual. I do not know if the transcendent beauty of the escalator is captured sufficiently here, but i figured someone might be able to use it! there are a few faint voices in the background.

Hey, haggled a pawn shop owner into selling me an alesis micron for 125$ hehe, i have some sex appeal baby. *blush*. These some idm samples i pulled off of it by playing with the synth setting, they have went through no mastering and are rather large files, so or that i am sorry, thanks!.

I march 2007, i uploaded an isolated chunk of my unborn child's heartbeat from a doppler check during a doctor's visit (http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=31785). I had a request to upload the entire recording that also includes my wife's heartbeat mixed with my child's. Here it is!.

This was a recording i made on a zoom h2 of a cat's purr, ran thru several filters until i had what i wanted, a repeating, ordered, police like siren underwater. Recorded at the highest wav settings on my h2, so it should be decent enough. (chirping sound heard on freesound disappears on full downloaded version. ).

A beat loop i remixed from two other freesound files (btn006. Wav by junggle and light-switch. Aif by dropthedyle). I changed the speed slightly, and pulled together the rhythms so that i could copy-paste or repeat it in audacity without having to trim out hiccups. It's 4/4 time, just a little faster than 60 bpm.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. I modded scp-087-b, and there's laughter as some of the sounds. . . Xd.

This is one of the v-shaped hand exerciser's that you squeeze together. I use it every day as i also play the drums. My physical therapist says it's also good for the shoulder. Recorded with my yamaha pocketrak and edited on sony vegas. I duplicated the tracks which gives a better sound. Please comment on what you will use it for. :^).

The opening of a small glass spice bottle with a plastic cap and smelling of the spices and then closing the cap. The sound was recorded using my shure mic onto audition. I recorded it myself for a short film cause i was unable to find this sound here, so i decided to upload it here also.

This underwater breathing was created in audacity. To create this sound i generated 2 tracks rhythms on 2 different mono tracks. For the breathing i created a rhythm "click noise" and added the effect "paulstrech". I deleted some moments of silences. I tried to simulate a heartbeat. I generated a rhythm tracks "noise click" and added the effect "echo". I selected in the track a sound wich looks like to a beat, cut the remain and add the repeated effect on the selected moment. I added bass to make the son more organic and reduced the gain. ---. Typologie/morphologie de shaeffer. Ce son est un mélange de continu complexe (x) et d'itération complexe (x''). Masse :son cannelé. Mélange de sons complexes avec des hauteurs. Grain : a la fois rugueux (la respiration) mais aussi lisse (les battements de cœur). Dynamique :l'attaque est plus ou moins violente avec des variations. Profil mélodique :variation scalaire.

I need a very slow propeller sound for a vue infinite flythrough. All windmill and prop sounds were too fast and mechanical. I created a sound by letting a fan hit and spin a pinwheel.

Death metal pig squeals, done by yours truly. I accept requests for metal vocals. Please message me with the finished product of what it's used for, i would like to hear it!.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

Me shouting "falcon punch!!!". My first upload. I only shouted the words, i didn't actually do a punch, because we all know that only one man is capable of the falcon punch!.

A friend of mine let me record her and i edited her laugh for a school project. I used a yeti mic to record and audacity to edit.

I used a midi loop of a guitar sound and an effect to create a weird down-shifting trailing short melody sample. I used ableton live and its grain delay plugin.