17,988 Royalty-Free Audio Tracks for "File"

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:8:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:25:10

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:7:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:34:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:20:5

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:27:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:2:4

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:26:10

A selection of music from Gilbert and Sullivan's The Mikado (1885), as recorded by the Edison Light Opera Company for Edison Records in 1914. The cast is not given, but in the 1913 recording of Pinafore, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley

Veni, veni, Emmanuel O komm, o komm, du Morgenstern (Evang. Gesangbuch 19); Herr, send herab uns deinen Sohn (Gotteslob (2013) 222); O komm, o komm, Immanuel (Gotteslob Diözesanteil Hamburg-Hildesheim-Osnabrück 730)

Nkosi sikelel'i afrika - A track by Côr Meibion Llanelli. From the 1996 album Yr Ynys Ddirgel Cymraeg: Nkosi sikelel'i afrika - Trac gan Côr Meibion Llanelli. O'r albwm 1996 Yr Ynys Ddirgel

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/249:2:2 Hänvisning till tryckt/skriftlig källa: Svenska Låtar, Östergötland, nr. 298

Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as "Estudio en Mi de Rubira" (Study in E by Rubira), "Spanish Romance", "Romance de España", "Romance of the Guitar", "Romanza" and "Romance d'Amour" among other names. Also used in René Clément's 1952 film Jeux interdits (Forbidden Games). Authorship is disputed (see WP article).

Title Orgue de barbarie 2 Artist aldor Original mp3 data Length:1:08 minutes (1.04 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags orgue de barbarie, paris, street organ Type Human PDSounds record number 526 Comment A Street Organ (un orgue de Barbarie) in the parisian streets, in may 2007

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Clavier variante” i następujący po nim „Galopp” z II Aktu, str. 92-93. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.). Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 4 February 2017 (UTC)) styczeń 2017, publikacja luty 2017.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in. Music: Public domainPublic domainfalsefalse

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

This was recorded by holding a small pcm recorder (zoom h1n) very close to an ipod 4th generation. The ipod was turned on and its hard drive tried to start up. You can hear the spin up of the motor and the hard drive head clicking back and forth. The hard drive fails to power up completely and eventually shuts down again. A 350 hz high pass filter was applied, in addition to audacity noise reduction, to get this clean motor noise from the original recording. The stereo file was then mixed to mono because the mic was slightly off center from the ipod, and the stereo provides no benefit. The hard drive in this ipod is a 1. 8" 40 gb toshiba hard drive, the ipod model is a1059. The microphone was held just 3 cm (1. 2 in) from the ipod. Recording settings were stereo 44. 1 khz at 16 bit (wav format). The file is the same except it's mono.

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

The Liberty Bell march, by John Philip Sousa (1854-1932), played by the New York Military Band. Recorded on Edison Blue Amberol cylinder record #3220 (unrestored version).The march is often associated with the British TV comedy program Monty Python's Flying Circus (1969–74), which used the piece as a signature tune. Nevertheless, the march remains popular with British military bands. Der Freiheitsglockenmarsch von John Philip Sousa (1854-1932), interpretiert von der New York Military Band, aufgenommen auf Edison Blue Amberol Zelluloidzylinder Nr. 3220 (Unrestaurierte Version).Der Marsch wird oft mit der englischen Comedy-Show Monty Python's Flying Circus (1969–74) assoziiert, die ihn als Titelmusik einsetzten. Dennoch ist er nach wie vor bei britischen Militärkapellen beliebt.

Ambient file for something that makes you uneasy, on edge. There's something around or near you that might cause a problem. It's something you can't put your finger on but the general weirdness of where you're at gives you the willies. Audacity, macbook pro.

A hard to describe sound that might be useful for games, in particular pinball machines and similar arcade games. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Foley sound of walking into a table. Intended for games where tables are obstacles. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Click or pop-up sounds made with mouth!. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Just doing some guitar sounds. Doesn't sound any good really. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This realistic. Wav storm includes a mix of ambiance effects, back ground effects and other urban environment effects. This wav file was generated from gold wave, using a bunch of effects off of other projects that i had going. (ambiance effects recorded from riverside, pennsylvania. ).

Something went wrong with the audio! first i was going to record the sound of the wind. I placed the equipment, checked the audio and left. As i came back i realized that the audio file is full of interference!first i was quite angry about it, but then i thought that it is a pretty good sound effect!.

There is nothing that sounds as refreshing as a soda can being opened and hearing the energetic bubbles. Open happiness and taste the feeling of coca-cola in this recording! the sound file includes the opening of a coke can, pouring into a glass, placing the can down, and drinking the soda.

Recorded in june 2016 on a brooklyn-bound g train in the new york city subway. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

The moment you know you should have been somewhere else. This, my friends, is why they make you put a licence plate on your car. File is slightly abridged for acceptable presentation. Anyway they were looking for someone else, and seemed remarkably understanding. And decidedly amused. . .

Ride on subway (lisbon) - several stations. Speaker announcement. Chatter (portuguese). Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Atmo city night, quiet, some traffic. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Atmo residential area, quiet, wind on leaves, birds, distant city traffic. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Atmo residential area, quiet, wind on leaves, birds, distant city traffic. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.