17,988 Royalty-Free Audio Tracks for "File"

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:9:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:8:1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer:

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer:

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:2:9

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:2:3

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:2:2

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:3:3

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:1:10

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Loop of flickering flames to simulate a wall torch. This is basically just a loop of a section of fractalstudios "fire crackle and flame 002" file, also posted under a creative commons 0 license, from this site. Here's a link to the original:https://freesound. Org/people/fractalstudios/sounds/363092/.

I mixed, slowed down, and sped up different small chunks of an audio file of a glitch noise, making something that sounds like a receipt printer at costco/walmart/freshco/any other big store chain.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

While i was trying to record other sounds my yorkshire terrier came in and got right in front of the microphone. I enticed her to bark. Funny thing is that she often will sneeze when i give her the bark command. This file is a bit of both.

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: MT 60/249:10:1

Instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band.

Tarantella performed by the Air Force Strings of the United States Air Force Band. Track 12 from International Mosaic (2009).[1][2][3]

Kommt her, ihr Kreaturen all, Lied zur Sakramentsverehrung

This is a gore effects session done at the university of oregon cinema studies program. This is 100% raw with the instructor's voice and bad room tone (note, not recorded in a dead space). We will post edited files of the session soon.

Ave Maria performed by Alessandro Moreschi, the last of castratiAve María cantada por Alessandro Moreschi, el último castratoItaliano: Ave Maria cantata da Alessandro Moreshi, l'ultimo dei castrati

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

Small ceramic tile, wet, being rubbed with a) rubber glove and b) finger (markers in file). Basic noise treatment added, but otherwise it is 'as recorded'. I used it for the sound of a person slipping on a wet surface as they struggle to get to their feet.

This file was created by using the memo feature of my digital camera. You will hear mooing cows, and in the background a stock auction being conducted. The poor gals were in such a hue and cry about being sold off to the highest bidder.

Recorded in january 2011 at the shin-aomori train station in aomori, japan. Recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified, just cut short from a longer recording.

Recorded in september 2008, at a bart station (can't remember which one), san francisco, usa. Recorded with a zoom h2 in 2-channel surround mode, without a windshield. File has not been modified, only cut short from a longer recording.

This is around 7am on an open dock facing the lake. Use in anything you'd like :) no credit needed. The seldom beeps are not present in the downloaded file. I believe freesound. Org often adds these beeping anomalies during its compression process.

Drone of a german medieval bagpipe (mitelalter sackpheife) carefull. This file is not very loopable so i will upload a longer versión son but this lasts for a minute. I'll upload the chanter samples later. Enjoy.

Two stainless steel bowls of different sizes were partially filled with water and knocked around to produce watery, springy, boingy sounds. Recorded in stereo using a zoom h2 digital recorder. The sounds have been reversed in this file.

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 51/15419:2:3

Aus hartem Weh die Menschheit klagt; Gotteslob (1975) 109; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 727

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Nun bitten wir den Heiligen Geist (Gotteslob (1975) 248; Gotteslob (2013) 348)

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Aus tiefer Not schrei ich zu dir, Melodie von Wolfgang Dachstein, Evang. Gesangbuch 299, zweite Melodie

*Septimal major second on C = D- (Ben Johnston's notation). 8:7 = 231.17 cents. Limit: 7-limit. MIDI pitch bend: 125,73

Kommt mit Gaben und Lobgesang (Ev. Gsb. 229), Text Detlev Block, Melodie Jamaica (trad.: Linstead Market Jamaican Folk Song , Calypso), Satz Peter Gerloff

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

Bis hierher hat mich Gott gebracht (EG 329); Wenn ich, o Schöpfer, deine Macht (EG 506; Gotteslob (2013) 463)

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791